In the Land of Retinal Delights: The Juxtapoz Factor

June 22 – October 5, 2008

In the Land of Retinal Delights: The Juxtapoz Factor
was an exhibition that presented the work of 150 artists and posited that there has been a huge, but unacknowledged art movement taking place in this country for the last 40 years. Since 1994, this ground swelling of lowbrow, surrealistic, pop, figurative, narrative work has coalesced and found a voice in the pages of Juxtapoz magazine published in San Francisco. This rag has become the most widely read art magazine in the US. It is an influencing force on the aspiring artists of Generation Y and the Millennials, who are now enrolling in art schools in numbers never seen before.

magazine was founded by Los Angeles-artist Robert Williams. The Juxtapoz aesthetic or lowbrow art is almost always figurative, and is inspired by movies, TV, advertising, black-velvet painting, psychedelic posters, pulp porn, sci-fi and horror, carnival art, comics books and all things lower- and middle-class. The Magazine has and does provide a voice and validation for a brand of artist, like Williams, who has not been accepted traditionally by the typical art-world infrastructure of collector, curator, and critic. However, since its founding, it has been the clear focal point for having been the inspiration for the creation of its own infrastructure that supports Juxtapozian art with galleries in Los Angeles, San Francisco, Seattle, and New York, collectors, followed by critical attention, followed by museum exhibitions at adventurous institutions. With it’s growing success Juxtapoz has been a major contributor to the reemergence of painting again as a valid practice for artists since the mid-1990s, running counter to forty-years of art-school canon that focused on the Conceptual practice of context, collectivization, and dematerialization of the art object.

For the last decade the art establishment (collector, curator, and critic) has argued that the idea, or construct, of an art movement is outmoded. The exhibition explored the idea of a Juxtapoz Factor. Is it an organized movement operating under a singular manifesto? Or is it a wave of talented overlooked artists who decided to reach out to the public and create their own canon?

This exhibition was organized by Laguna Art Museum and curated by Meg Linton, Director of the Ben Maltz Gallery and Public Programs at Otis College of Art and Design in Los Angeles. The exhibition is accompanied by a full-color catalog with essays by the curator and Laguna Art Museum director Bolton Colburn.

Ray Martin Abeyta
Van Arno
Kevin Ancell
Anthony Ausgang
Glenn Barr
Gary Baseman
Peter Beste
Sandow Birk
Tim Biskup
Chaz Bojorquez
Tiffany Bozic
Andrew Brandou
Nathan Cabrera
Ray Caesar
Thomas Campbell
Enrique Chagoya
Sas Christian
Clayton Brothers (Rob and Christian)
Wayne Coe
Sue Coe
Lynn Coleman
R. Crumb
Timothy Cummings
Henry Darger
Mike Davis
Einar and Jamex de la Torre
Ron English
James Esber
Richard Evans
Neck Face
Shepard Fairey
The Date Farmers
Carlee Fernandez
Tony Fitzpatrick
Jim Flora
AJ Fosik
Llyn Foulkes
Phil Frost
Ernst Fuchs
Gajin Fujita
Helen Garber
Camille Rose Garcia
Os Gemeo
Gregg Gibbs
Jeff Gillette
Doze Green
Alex Grey
Rick Griffin
Alex Gross
Moira Hahn
Don Ed Hardy
F. Scott Hess
Laurie Hogin
Seonna Hong
Jim Houser
Michael Hussar
Anya Janssen
Sylvia Ji
Dean Karr
Mike Kelley
Frank Kozik
Charles Krafft
Bari Kumar
Paul Laffoley
Edgar Leeteg
Matt Leines
Zhi Lin
Laurie Lipton
Liza Lou
Jason Maloney
Chris Mars
Paul McCarthy
Barry McGee
Elizabeth McGrath
Michael C. McMillen
Victor Moscoso
Stanley Mouse
Takashi Murakami
Scott Musgrove
Wangechi Mutu
Caleb Neelon
Irving Norman
Manuel Ocampo
Estevan Oriol
Gary Panter
Marion Peck
Savage Pencil
David Perry
Raymond Pettibon
Patricia Piccinini
The Pizz
Gail Potocki
Spain Rodriquez
Ed “Big Daddy” Roth
Mark Ryden
Isabel Samaras
David Sandlin
Jorge Santos
Judith Schaechter
Kenny Scharf
Kathy Staico Schorr
Todd Schorr
Andrew Schoultz
Andres Serrano
Jim Shaw
Gilbert Shelton
R. K. Sloane
Joe Sorren
Jeff Soto
Craig Stecyk
Fred Stonehouse
Jon Swihart
Stanislav Szukalski
Masami Teraoka
Vince Valdez
Jeffrey Vallance
Mark Dean Veca
Cristina Vergano
Nicola Verlato
Von Dutch
Kara Walker
Adam Wallacavage
Eric White
Robert Williams
Kent Williams
Suzanne Williams
S. Clay Wilson
Jerome Witkin
Joel-Peter Witkin
Basil Wolverton
Thomas Woodruff
Miriam Wosk
Kenji Yanobe
Chet Zar
Peter Zokosk

Additional support for this exhibition was provided by:

The Segerstrom Foundation
Mark Parker
Bernie Chase/Symbolic Gallery : Collection
Billy Shire/Billy Shire Fine Arts
The DiCaprio Family would like to acknowledge Robert Williams for his sight and insight in this world and the next one over
Copro/Nason Gallery, Culver City
Debra Jacobson/ L’Imagerie Gallery, North Hollywood, California
Koplin Del Rio Gallery, Culver City
MiShell and Jay Nailor- M Modern Gallery
Robert Berman Gallery
Stuart Spence and Judy-Vida Spence
Thinkspace Gallery

Presenting Sponsor:

Media Sponsor:

Additional support for this exhibition was provided by: