Anna Hills, Spring in Laguna, oil on canvas, 1915, 20 x 30 inches, collection of Ranney and Priscilla Draper


What's it all about?

The landscape painter Anna Althea Hills (1882–1930) was one of the highly talented artists whose presence in the community helped put Laguna Beach on the map as a premier art colony during the first decades of the twentieth century.

Born in Ravenna, Ohio, she studied at the School of the Art Institute of Chicago, and the Woman’s School of Art at Cooper Union in New York City. In New York she also studied under Arthur Wesley Dow, one of the most influential art teachers of the period, who played a prominent role in the American Arts & Crafts Movement. Like many art students during the late nineteenth and early twentieth centuries, Hills continued her studies in Europe, traveling in Holland, Belgium, France, Italy, and the British Isles. She briefly studied at the Académie Julian in Paris. Her longest time was spent in England, studying with John Noble Barlow in the art colony at St. Ives, Cornwall. Returning to the United States, she moved to Los Angeles in 1912 and the following year established her home and studio in Laguna Beach.

At the time she was working in an impressionistic technique, but her palette was muted, dominated by low-key tones that reflected the northern light and atmosphere of England and northern Europe. Once in California, like other artists, she responded to the bright light and rich, colorful landscape. She remarked that she had to throw out her old palette and start over with brighter colors. She traveled throughout Southern California and became particularly attracted to the desert landscape. She worked primarily in oil, using both a brush and a palette knife. Her palette knife work is highly distinctive, setting her works apart from those of her contemporaries. She was fond of portraying dramatic cloud effects, often setting a low horizon line in order to give the sky dominance in the composition.

Hills felt that Laguna Beach was the place where she could not only paint but also teach, welcoming many students to her studio. Many were no longer novices but professional art teachers from other parts of the country, who would travel to California each summer for the privilege of studying with her. As a teacher, she felt strongly about the importance of arts education for children. She organized art exhibits that circulated among Orange County schools and sent out fellow artists to give direct instruction to the children. She herself lectured at schools and clubs in Los Angeles and Orange County.

A founding member of the Laguna Beach Art Association in 1918, Hills was one of its most dynamic and progressive members, showing remarkable leadership skills. Between 1922 and 1930, she served as the LBAA’s president for a total of six years (1922–25 and 1927–30). These were the important, formative years, and also the time during which funds were raised to build the LBAA’s permanent, fireproof gallery on Cliff Drive—which survives as the Steele Gallery within the present museum building. Hills was a driving force in the fundraising effort and was seen by some as the person most responsible for its success. It was she who turned over the first shovel of dirt at the groundbreaking in August 1928. The dream of the new gallery was realized—in February 1929—but sadly, Hills died the following year.

The exhibition showcases over sixty of Hills’s paintings along with documentary materials relating to her life and work in Laguna Beach. It is curated by Janet Blake, the museum’s curator of historical art, and accompanied by a fully illustrated catalogue.

Support and Grants

Generous support for Miss Hills of Laguna Beach – Anna Althea Hills: Art, Education, Community was provided by Priscilla and Ranney Draper, the Historical Collections Council of California Art, William Georges, Nadine and Robert Hall, Dr. Mark A. Judy, Helen and Buzz Kinnaird, Mary and Matt Lawson, Allen and Dottie Lay, Diane Nesley, Elma and Earl Payton, The Redfern Gallery, Irene and George Stern, Steven Stern Fine Arts, Mr. and Mrs. Thomas B. Stiles, II, Ruth Westphal, Terrence M. White and Patricia Sands, John and Pamela Wilkinson, and various anonymous gifts.

Education programs are supported by Donnie Crevier of Crevier Classic Cars, the Laguna Beach Festival of Arts Foundation, the Laguna Art Museum Arts Council, the McBeth Foundation, James and Martha Newkirk, and anonymous donors.

Museum partners: The Inn at Laguna Beach and Las Brisas.

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